‘Sex and the City’: Michael Patrick King Answers Your ‘And Just Like That’ Questions

‘Sex and the City’: Michael Patrick King Answers Your ‘And Just Like That’ Questions

Warning: this story comprises plot particulars from the first episode of And Just Like That…

There was just one method Sex and the City showrunner Michael Patrick King would revisit Carrie Bradshaw after six seasons, two films, and 23 years.

And that was if King might kill off Carrie’s husband and longtime love curiosity, Big (Chris Noth). (That, pricey readers, is probably going why our heroine didn’t dial 911.)

The determination got here as an entire shock to Sex and the City followers who tuned into the long-awaited reboot And Just Like That… Thursday to see the character endure a deadly coronary heart assault after a vigorous Peloton bike trip in the first episode, “Hello It’s Me.” The character is mourned with a good looking funeral in the second episode, “Little Black Dress”—which, coincidentally was the last scene of And Just Like That… co-star Willie Garson, who performed Stanford Blatch, accomplished earlier than dying immediately of pancreatic most cancers in September.

In a candid dialog Friday, King defined why it was essential to name curtains on Big. The Emmy winner additionally mentioned Samantha’s high-road storyline; how Garson’s dying impacted the present; Miranda’s stunning new character route; and far more.

Vanity Fair: Congratulations on the premiere. It’s so good to have the ladies again. My first query, although, is, do you might have a Peloton?

Michael Patrick King: I’ve one, and I’m alive and properly.

I have to know the origin story of Big’s dying. Chris Noth has talked about not desirous to return to the franchise. Was the character’s dying a artistic compromise?

Oh god, no. Dying was the origin story. Nobody wished to return again if [the show] was not going to be totally different. When I instructed Chris that Mr. Big dies in the first episode, he undoubtedly knew it wasn’t [going to be the] identical. And we needed to discuss it. He actually wished to speak about why he’s dying and what it does for this sequence. The extra we talked about it, the extra he understood that it was for Carrie—and Carrie’s storyline is it’s higher to have liked and misplaced than by no means have liked in any respect.

Once Chris actually understood that it could be wonderful for Carrie, he made a sacrifice for us, and as a result of he loves Sarah Jessica a lot. The legacy of that character wouldn’t diminish, however would improve his legend by leaving. If you will discover somebody who loves you, that’s fabulous. But this actually lets us take a look at out that thesis—the voiceover we finish the sequence with in Sex in the City—that the most important, difficult, tough, and rewarding relationship of all is the one you might have with your self.

It’s additionally actually fascinating to me, as a result of 55 and single is an entire new ballpark. You thought 35 and single was a narrative. 55 and single is a narrative as properly.

It’s lovely that Chris made that sacrifice for Carrie and Sarah then.

And for me. I couldn’t have accomplished the present with out him. I wouldn’t have accomplished the present with out him. I wouldn’t have accomplished the present if Mr. Big didn’t die in the final 5 minutes [of episode one]. And I additionally wouldn’t have the present if he wasn’t so charismatic and charming and alive in the first 40.

Why Peloton particularly, although? Why not a generic bike? And what different technique of ending that character’s life did you take into account?

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